Nasturtiums and Cherries, Sebasco, Maine
Oil on canvas, 16" x 11", 2011
This painting originated in Maine and was completed in New Hampshire. I had brought a few meager nasturtiums from our garden and hoped to complete some sort of still life once we were on the Maine coast. I had managed to paint a couple of flowers when the fog dropped, the next day the flowers were totally wilted. However I did paint the seascape in situ ( on site). I figured that the painting would have to wait until next year when when a new crop of nasturtiums would arrive. To make a long story short, when we returned home we still had loads of nasturtiums growing, so I set to work.
REPETITION OF FORM OR FOLLOW THE BOUNCING BALL
There are many aspects of pictorial composition, dominate verticals, horizontals,diagonals, symmetry,...etc. Fortunately one of the most enjoyable aspects is the use of a repeating element and/ or color.
This painting can be viewed as a flat 2-Dimensional surface. Divided into three layers: the upper with flowers, the middle with the vase and fruit, and the lower with the cloth.
Since the vase contains circles as part of its decoration, I repeated the circle with the round leaves of the nasturtiums. I selected cherries to continue the rhythm on the cloth and " dropped" a few down into the folds. So the circle becomes a melody that punctuates the painting in both form and color.
Still Life with Tulips and Amaryllis
oil on canvas
This painting Still Life with Tulips and Amaryllis, is another example, using some of the same elements of repeating form. Here the vertical stems of the flowers create their own rhythm that works with the circular tumble below.
copyright 2011 James Aponovich